HAHK, as it was popularly known, was released on August 5, 1994 and it became the first Bollywood movie to make over Rs. 1 billion. I recently saw some articles that celebrated the 20th anniversary of its release, and it reminded me of the time when the sibling and I had gone with our mother to book tickets in advance. If I recollect right, this was among the few movies that my paternal grandmother watched along with us at the theatre.
The movie was long even by Hindi movie standards, and the 14 songs added to the length of the movie. They removed 2 songs from the movie, and retained them in the soundtrack. I was a fan of Madhuri Dixit, and the success of the movie made me happy. I have watched several movies multiple times, and it used to surprise me that HAHK did not find favour in my repeat-viewing list.
Back then, I remember reading in some film magazine that Madhuri Dixit (15-05-1967) is elder to Renuka Shahane (07-10-1966) in real life and yet played her younger sister, and now Wikipedia tells me that Renuka is elder by 7 months.
“Didi tera devar” was #1 on music countdown shows, including Superhit Muqabla, for a long time. The sight of a swinging Salman Khan singing “Kudiyon ka hai zamaana” had made me think that this is favourable to women, and I somehow had faith that Madhuri Dixit would not portray characters that allowed men to take advantage of her and treat her badly.
Posters and other promotional material also covered the backless choli and the embroidered purple saree.
I remember discussing the yellow (or was it orange?) salwar kameez that Madhuri wears in this song with some friends at school.
Years later, I realized that Nisha (the character played by Madhuri Dixit) didn’t have it easy. She had flowers aimed at her butt, and didn’t speak up when her marriage was fixed with her dead sister’s husband instead of Prem, the dead sister’s husband’s brother. Prem doesn’t admit to his love either, and stays quiet. "Saali to adhi gharwali hoti hai” – the wife’s sister is half-a-wife – HAHK made use of this theme.
It took a Pomeranian (apparently, the correct term is the Indian Spitz) to rescue the lovers and unite them.
11 years after HAHK, the movie Bewafaa was based on the same theme of “Saali to adhi gharwali hoti hai” and the dutiful younger sister is labelled unfaithful. Would a man’s younger brother ever be forced to marry the wife of his dead brother? In 1981, Silsila explored that theme briefly and it bombed at the box office.
Gender stereotypes exist for several reasons, and movies have a role in perpetuating them. This is a speech by Sharmila Tagore in 2013 and she says, “Traditionally, we as a nation have tended to view a woman either as devi (goddess) or as property of man but never as an equal.” HAHK also found mention in her speech. Post the release of Kick in 2014, this article questions whether the hero is a molester or a real hero.
HAHK inspired a generation to indulge in lavish weddings – in Hindi movies and outside of them. It also cemented Madhuri’s position as the undisputed #1 leading lady, and 20 years later, she continues to receive offers to act. I am happy for her, and am hoping to see lavish weddings lose their lustre.
The movie was long even by Hindi movie standards, and the 14 songs added to the length of the movie. They removed 2 songs from the movie, and retained them in the soundtrack. I was a fan of Madhuri Dixit, and the success of the movie made me happy. I have watched several movies multiple times, and it used to surprise me that HAHK did not find favour in my repeat-viewing list.
Back then, I remember reading in some film magazine that Madhuri Dixit (15-05-1967) is elder to Renuka Shahane (07-10-1966) in real life and yet played her younger sister, and now Wikipedia tells me that Renuka is elder by 7 months.
“Didi tera devar” was #1 on music countdown shows, including Superhit Muqabla, for a long time. The sight of a swinging Salman Khan singing “Kudiyon ka hai zamaana” had made me think that this is favourable to women, and I somehow had faith that Madhuri Dixit would not portray characters that allowed men to take advantage of her and treat her badly.
Posters and other promotional material also covered the backless choli and the embroidered purple saree.
I remember discussing the yellow (or was it orange?) salwar kameez that Madhuri wears in this song with some friends at school.
Years later, I realized that Nisha (the character played by Madhuri Dixit) didn’t have it easy. She had flowers aimed at her butt, and didn’t speak up when her marriage was fixed with her dead sister’s husband instead of Prem, the dead sister’s husband’s brother. Prem doesn’t admit to his love either, and stays quiet. "Saali to adhi gharwali hoti hai” – the wife’s sister is half-a-wife – HAHK made use of this theme.
It took a Pomeranian (apparently, the correct term is the Indian Spitz) to rescue the lovers and unite them.
11 years after HAHK, the movie Bewafaa was based on the same theme of “Saali to adhi gharwali hoti hai” and the dutiful younger sister is labelled unfaithful. Would a man’s younger brother ever be forced to marry the wife of his dead brother? In 1981, Silsila explored that theme briefly and it bombed at the box office.
Gender stereotypes exist for several reasons, and movies have a role in perpetuating them. This is a speech by Sharmila Tagore in 2013 and she says, “Traditionally, we as a nation have tended to view a woman either as devi (goddess) or as property of man but never as an equal.” HAHK also found mention in her speech. Post the release of Kick in 2014, this article questions whether the hero is a molester or a real hero.
HAHK inspired a generation to indulge in lavish weddings – in Hindi movies and outside of them. It also cemented Madhuri’s position as the undisputed #1 leading lady, and 20 years later, she continues to receive offers to act. I am happy for her, and am hoping to see lavish weddings lose their lustre.
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