In the past, I have enjoyed the interesting portrayals of women in R Balki’s movies (Cheeni Kum,
Paa, English Vinglish). Across age groups, the women have a mind of their own, are decisive and experimental in their relationship status. So, the minute I saw the poster of ‘Ghoomer’, I knew I wanted to watch it. The sports link was evident, and to my delight the portrayal of disability too.
During illness episodes, one after another, I used to mention words that sounded similar, or words that meant more than 1 thing (remember paryayvachi shabd?) This time, Ghoomer reminded me of the song ‘Ghoomar’ from Padmaavat. Watch the movie to see why Ghoomer has a significant role to play.
Ghoomer has sought inspiration from the life of Karoly Takacs, the Olympic medal-winning shooter. Like him, the budding cricketer Anina played by Saiyami Kher loses her right hand in a freak road accident and must give up her dream of representing India as a batter. An older cricketer past his prime, played by Abhishek Bachchan, gives her career a new life by encouraging her to become a bowler instead. Like all good coaches portrayed in media, he makes things difficult for her initially, helps her build strength in her left hand, and eventually she becomes so good at bowling that she gets another chance to represent India, and goes on to win glory.
There are two other strong women in the movie – Anina’s paternal grandmother played by the fantastic Shabana Azmi (may everyone be blessed with considerate paternal grandmothers like the ones she has portrayed in
2023) and the trans woman Rasika played by Ivanka Das. Witty, observant and helpful, these women light up the screen when they appear.
Balki’s movies, however well-written, have a few moments of unbelievable drama that leave me flabbergasted, but the overall taste is so good that I am willing to let them fly by. I haven’t been tracking cricket for years now, but enjoyed the scenes featuring cricket and can see why women’s cricket is gaining popularity. I was happy to see more attention given to bowlers (finally!) and the references to Physics.
Finally, the real reason that I wanted to watch the movie – Anina is a person with disability (PwD). I liked the scenes featuring other PwDs who rejoice at her bowling spell, the looks given by her team members when the scoreline is against them and they miss having an extra batter, and I read that the DCCI (Differently-Abled Cricket Council of India) hosted a
special screening of the movie for 50 paraplegic cricketers. So far, all good. What’s not good? Yet again, a PwD has been shown as a super-achiever and hugely inspirational figure, instead of remaining human with flaws like any other. The other option would have been to portray the PwD as an object of pity – disability portrayal offers only these two extremes – so this was better to that extent.
While I was a bit sad to see how quick Anina is to forgive the male driver who leaves her disabled and her childhood friend who gives her the idea to hand signal while driving, I wasn’t surprised. Forgiveness is expected of women, irrespective of the harm meted out by men. The only silver lining is that the male driver is repentant and tries to make amends. As for the childhood friend, he loves her.
Watch the movie. You’d be happy after doing so!