Saturday, 12 June 2010

Raajneeti (2010)

Last week, a day before Raajneeti was to be released, the sibling called up sounding excited. “Anu, I am going to watch Raajneeti later tonight. A friend has got tickets to the preview show!” Post the movie she told me, “Ranbir is very good in the movie. Watch it soon!”

It was an ordinary day yesterday when I sat down to book tickets. I got mixed up with the dates, and booked tickets for the wrong date. PVR ensured I did go – the tickets were non-refundable.

Raajneeti is based on two great stories – the Mahabharata, and the Godfather. If you are a fan of even one of them, you will try to draw parallels to the original. It is not a bad thing to indulge in – the movie is quite long, and gives ample time to get distracted.

The characters are based on Mahabharata, the setting is in Madhya Pradesh, and some scenes are inspired from the Godfather. The sibling felt that the Mahabharata angle should not have existed – it serves little purpose according to her. To me, this is the reason why I would watch the movie again, if at all.

I particularly liked the performances by Ranbir Kapoor (he plays Samar Pratap, with traces of Arjun and Michael Corleone) and Nana Patekar (he plays Brij Gopal, clearly a tribute to Krishna).

Samar’s character is ruthless, and one can see that right from the time he deals with Indu (played by Katrina Kaif). He does not hesitate in making use of her as a pawn in the chessboard of politics, for he does not love her. However, there is tenderness in him when he deals with his American girlfriend Sarah (played by Sarah Thompson) who, incidentally, has seen violence in Ireland. After her death and the elections, he moves back to the US and takes care of Sarah’s mother. I felt no sympathy for his character – this is when I realized that Kapoor has come up with a powerhouse performance.

Arjun Rampal surprised me with his portrayal of Prithvi Pratap, the elder brother of Samar Pratap. I was mentally preparing myself to write him off as too good looking to be playing a hardcore politician and thus not fitting the role, but he gave me a pleasant shock by mouthing foul words like a pro and portraying the impulsiveness of his character rather well.

Post the movie, the following questions lingered on my mind.

What happens to the character played by Shruti Seth? What was on Jha’s mind when he developed this role?

Karna is a noble character. Is this the reason Jha chose the tired-looking Ajay Devgn to play the role?

Did I miss this song in the movie?



Commercial success is enjoyable, isn’t it?

Wednesday, 9 June 2010

Woody Allen

Readers of this blog would know that I enjoy Allen’s style of filmmaking. I have watched Mighty Aphrodite, Match Point, Vicky Cristina Barcelona, and the latest is Hollywood Ending.



It does not matter if you haven’t watched his movies. You can still enjoy his one-liners.

“It is impossible to travel faster than the speed of light, and certainly not desirable, as one's hat keeps blowing off.”

“When I was kidnapped, my parents snapped into action. They rented out my room.”

“Death doesn't really worry me that much, I'm not frightened about it... I just don't want to be there when it happens.”


TIME read my mind when the following interview was done as part of TIME’s 10 questions, for I have wondered what it would be like to engage in a conversation with Allen. I had expected that I would roll with laughter. Instead, I was left feeling thoughtful.

Take a look.

Tuesday, 8 June 2010

The Devil Wears Prada (2006)

Miranda Priestly: “…But I was very very impressed by how intently you tried to warn me. I never thought I would say this, Andrea, but I really, I see a great deal of myself in you. You can see beyond what people want, and what they need and you can choose for yourself.”

Andy Sachs: “I don't think I'm like that. I couldn't do what you did to Nigel, Miranda. I couldn't do something like that.”

Miranda Priestly: “You already did. To Emily.”

Andy Sachs: “That's not what I... no, that was different. I didn't have a choice.”

Miranda Priestly: “No, no, you chose. You chose to get ahead. You want this life. Those choices are necessary.”

A very enjoyable piece of story-telling, Meryl Streep’s Miranda Priestley and Anna Hathway’s Andrea Sachs are the chief characters. Post the movie I wondered what it would be like to be Miranda and Andrea. Would I ever have the guts to give something different a try – the way Andrea does – and then quit it? What are the choices I am going to make in order to last in the corporate world for as long as Miranda does?